Chicagoland Painters: Mathieu Fontaine Masterclass Sessions April 28-29, May 5-6

Hello Fellow Chicagoland painters and gamers,

Just wanted to let you here know that Games Plus is hosting the return of Mathieu Fontaine to Chicago to put on his Masterclass painting workshops. Each of them is a full two-day experience, and from personal experience I can tell you it changed the way I paint.

Anyway, here are the deets. If you are interested in signing up, email me at blakbuzzrd@gmail.com.

Dates and times:
Masterclass I
Saturday, April 28: 9:00 AM to 9:00 PM
Sunday, April 29: 9:00 AM to 5:00 PM

Masterclass II
Saturday, May 5: 9:00 AM to 9:00 PM
Sunday, May 6: 9:00 AM to 5:00 PM

Masterclass I Course Description
Masterclass I is an two-day intensive class on painting figurines. Every technique and theoretical concept is covered, from the undercoat to perfect blending, passing by zenithal lighting along the way.

The provided figurine will allow every student to have plenty of time to explore the principal areas of painting: clothing, skin, the face and use of metallics. In terms of theory, zenithal lighting, composition, color theory and base conception will be explored, giving every student a complete understanding of the theoretical concepts so as to maximize the impact of his or her miniature.

This Masterclass is open to every level of painter. Whether you are holding a brush for the first time or have painted hundreds of models for your armies, you will benefit from this class. While each student receives the same technical and theoretical information, Mathieu's follow-up is one-on-one and totally personalized. Every student will be pushed to the limit of his or her abilities in order to make sure that he or she gets the maximum benefit out of this experience. So regardless of whether you are an army painter who wants better results on your favorite models or a painter who dreams of winning a Golden Demon, this class is for you.

Materials required for MCI:
Although some materials will be provided, it wouldn't hurt to bring your brushes, any paints you absolutely must have (we'll try to provide the paints as much as possible) and any lamps or optical equipment you use.

Masterclass II Course Description
Masterclass II is for any moderately experienced miniature painter who wants to reach another level and discover vehicle painting techniques. We will approach various military modeling techniques, push blending to another level, explore airbrushing both for vehicles and figurines, play with unusual products such as oil paints and weathering pigments, and experiment with base building and painting.

Materials required for MCII:
You’ll need to bring your brushes, any paints you absolutely must have (we'll try to provide the paints as much as possible) and any lamps or optical equipment you use. The oil paints and pigments will be provided for you as well as the usual basic wet palette prep supplies (plates, cups and parchment paper).

Note: The airbrushing segment of this class comprises a demonstration of techniques by Mathieu. No need to bring your own equipment for this, as it is strictly demonstration.

Costs
It's $100 tuition for either Masterclass I or Masterclass II (covers mini, instruction, a Raphael 8404 brush, paint, and basic prep supplies). Or, you can pay $185 to sign up for both Masterclasses. Hey, save fifteen bucks!

Announcing Masterclass I and II in Chicago! April 28-29 and May 5-6

Mathieu Fontaine returns to Chicago for Adepticon, and he's sticking around for the following two weekends to teach his Masterclass sessions I and II. Check it out!

http://www.akaranseth.com/blog/masterclass-i-ii-chicago.htm

The Measure of a Painting Day: GW Dark Elf Sorceress

I've been asked a few times how long it takes me to paint something in hours, once I set my mind to it and allow myself no dithering. So I gave myself a challenge on Sunday: how much of a reasonably detailed mini could I get painted in a day?

For my little test I chose the GW Dark Elf Supreme Sorceress, which is a fun piece to paint, what with all the hair, skin, and muscle tone to deal with. I wanted particularly to see how much of Mathieu's lessons on the human form as a structure of spheres would serve me. Turns out I was able to use it a lot to handle the elf's belly and her outstretched arm. 

At the starting line:

At one hour (model cleaned and assembled, ready for priming):

At two hours (primed and basecoat underway):

At three hours (mostly basecoated):

 

At five hours (basecoated, eyes and face, and miscellaneous initial detail work):

 

At eight hours (base is basecoated, blacklining around her gold bits and some detail to her tiara -- this is where I stopped for the day):

I could get faster, I suppose, but I find that I enjoy the sculpts so much that I want to take my time trying to bring them into vivid reality to the best of my ability.

And I just have more fun that way. So there.

Masterclass II with Mathieu Fontaine!

Coming November 12-13 to Games Plus in Mt. Prospect, Illinois. Woot!

Chaos Nurgle Lord finished!

Aaaand of course I forgot to take a picture until after they put him in the case. Oh, well. Here he is courtesy of my iPhone's camera:

On the Painting Table: Nurgle Chaos Lord

Our local GW Hobby Center has started a monthly painting competition called "The Brotherhood of the Brush." It's basically a way to create some friendly low-stakes rivalry and a sense of community among the painters in the area. The way it works is that everyone paints the same mini, and at the end of the month a winner is selected by popular vote. The winner gets to pick the next month's mini.

So to kick things off, the store manager picked the newly released Nurgle Chaos Lord. Here's mine, as WIP:

Slaying Wet Blending with Tim Lison

My local GW shop manager was on vacation this week, and minding the shop in his stead was Tim Lison, multiple Slayer Sword winner. Needless to say, I spent a chunk of time hobbying there this week. Tim was even good enough to bring in some of his Slayer Sword/Demon-winning entries for me to ogle up close, and he shared a lot of his perspective on painting. A highlight (ba-dum-cha!) for me was learning how to wet blend from him, one-on-one; we did so while also doing reverse highlighting. We practiced on a couple Black Reach Terminators, and I felt like I got the basic hang of it. Woot!