Chicagoland Painters: Mathieu Fontaine Masterclass Sessions April 28-29, May 5-6

Hello Fellow Chicagoland painters and gamers,

Just wanted to let you here know that Games Plus is hosting the return of Mathieu Fontaine to Chicago to put on his Masterclass painting workshops. Each of them is a full two-day experience, and from personal experience I can tell you it changed the way I paint.

Anyway, here are the deets. If you are interested in signing up, email me at blakbuzzrd@gmail.com.

Dates and times:
Masterclass I
Saturday, April 28: 9:00 AM to 9:00 PM
Sunday, April 29: 9:00 AM to 5:00 PM

Masterclass II
Saturday, May 5: 9:00 AM to 9:00 PM
Sunday, May 6: 9:00 AM to 5:00 PM

Masterclass I Course Description
Masterclass I is an two-day intensive class on painting figurines. Every technique and theoretical concept is covered, from the undercoat to perfect blending, passing by zenithal lighting along the way.

The provided figurine will allow every student to have plenty of time to explore the principal areas of painting: clothing, skin, the face and use of metallics. In terms of theory, zenithal lighting, composition, color theory and base conception will be explored, giving every student a complete understanding of the theoretical concepts so as to maximize the impact of his or her miniature.

This Masterclass is open to every level of painter. Whether you are holding a brush for the first time or have painted hundreds of models for your armies, you will benefit from this class. While each student receives the same technical and theoretical information, Mathieu's follow-up is one-on-one and totally personalized. Every student will be pushed to the limit of his or her abilities in order to make sure that he or she gets the maximum benefit out of this experience. So regardless of whether you are an army painter who wants better results on your favorite models or a painter who dreams of winning a Golden Demon, this class is for you.

Materials required for MCI:
Although some materials will be provided, it wouldn't hurt to bring your brushes, any paints you absolutely must have (we'll try to provide the paints as much as possible) and any lamps or optical equipment you use.

Masterclass II Course Description
Masterclass II is for any moderately experienced miniature painter who wants to reach another level and discover vehicle painting techniques. We will approach various military modeling techniques, push blending to another level, explore airbrushing both for vehicles and figurines, play with unusual products such as oil paints and weathering pigments, and experiment with base building and painting.

Materials required for MCII:
You’ll need to bring your brushes, any paints you absolutely must have (we'll try to provide the paints as much as possible) and any lamps or optical equipment you use. The oil paints and pigments will be provided for you as well as the usual basic wet palette prep supplies (plates, cups and parchment paper).

Note: The airbrushing segment of this class comprises a demonstration of techniques by Mathieu. No need to bring your own equipment for this, as it is strictly demonstration.

Costs
It's $100 tuition for either Masterclass I or Masterclass II (covers mini, instruction, a Raphael 8404 brush, paint, and basic prep supplies). Or, you can pay $185 to sign up for both Masterclasses. Hey, save fifteen bucks!

Announcing Masterclass I and II in Chicago! April 28-29 and May 5-6

Mathieu Fontaine returns to Chicago for Adepticon, and he's sticking around for the following two weekends to teach his Masterclass sessions I and II. Check it out!

http://www.akaranseth.com/blog/masterclass-i-ii-chicago.htm

On the Painting Table: Nurgle Chaos Lord

Our local GW Hobby Center has started a monthly painting competition called "The Brotherhood of the Brush." It's basically a way to create some friendly low-stakes rivalry and a sense of community among the painters in the area. The way it works is that everyone paints the same mini, and at the end of the month a winner is selected by popular vote. The winner gets to pick the next month's mini.

So to kick things off, the store manager picked the newly released Nurgle Chaos Lord. Here's mine, as WIP:

Slaying Wet Blending with Tim Lison

My local GW shop manager was on vacation this week, and minding the shop in his stead was Tim Lison, multiple Slayer Sword winner. Needless to say, I spent a chunk of time hobbying there this week. Tim was even good enough to bring in some of his Slayer Sword/Demon-winning entries for me to ogle up close, and he shared a lot of his perspective on painting. A highlight (ba-dum-cha!) for me was learning how to wet blend from him, one-on-one; we did so while also doing reverse highlighting. We practiced on a couple Black Reach Terminators, and I felt like I got the basic hang of it. Woot!

On the Painting Table: Zenithal Ultramarines

A few pics of work in progress. Trying a method that Thomas David uses in the Miniature Mentor Speed Painting video, where he paints a subdued palette onto the mini in the appropriate highs and lows, and then glazes the color in over that. The starting point is to airbrush the mini using a zenithal approach. In this case, the light source is pitched forward slightly, so that the shoulder pads, head, and top of the jump pack get the brightest light. These minis have had the airbrushing done and the initial glazing. Next steps are to apply some additional manual shades and highlights to force the light where I want it (the face and tippy-tops of the pads).

The idea is that lighting these guys like this helps create not only a point of focus, but also a sense of forward motion, which the Black Reach space marines really need. These shots aren't the most balanced, but you get the idea.

Already prepping class models...

For Masterclass II, in a fervent hope that we can make it happen. Details TBD.

Masterclass I with Mathieu Fontaine: Ogrepalooza

So we had Mathieu Fontaine come down from Quebec this past weekend to teach his Masterclass I, which is all about figure painting. We learned to paint skin, cloth, faces, eyes, and metal; we learned to see the figures as a collection of spheres (much as a comic artist sees a form in circles); we laughed, we cried...it was better than CATS.

Here's the ogre I worked on. No figures were "finished" during the class; rather, the mini was a canvas for learning techniques. I learned A TON, particularly about highlighting and shading muscles.

On the Painting Table: Black Reach Dreadnought, Part II

Finally gave in and tried using Ultramarines Blue on the thing. I think it helped! Cleaned up the deets on the facing as well. Now for the legs, a purity seal or two and the bullet holes.

BTW, as I get asked this frequently, the base is made by Micro Art Studio out of Poland. Here's a link to their store page for this particular base: Click!

On the Painting Table: Black Reach Dreadnought

Highlights are going to be the death of me. I need to push the contrast a lot more.

48 Hours at the Chicago Bunker: Dark Eldar Archon

One Finecast challenge later, here's a mini I painted last weekend. Pretty happy with it!

Quick GenCon Paint-and-Take Fun

So I worked the Miniatures Hobby Exhibition tables at GenCon as a Paint-and-Take Instructor, and each day sat and painted the same minis the participants painted, using the same brushes and paints. Only fair, right?

In the process I discovered how much I love painting Wyrd miniatures. I didn't even know who these little guys were until afterward, but had a ball drybrushing them.

I'm even thinking of picking up a Malifaux starter set just to get more of the buggers.

Stormblades on the painting table again

Making slow but steady progress. I am using a method unlike the ones I've used before. Instead of highlighting and shading with lighter and darker tints of the same color (e.g., the Reaper triads), I'm using different colors altogether for shading and highlighting: colors distanced from each other on the color wheel.

Basically, Stormblades with their traditional blues, yellows, silvers and golds might as well have a half-finished "S" on their breastplates, because all they need to complete the Superman look is some red. This came to mind while attending one of Mathieu Fontaine's classes on color theory at Adepticon 2011. One of his favorite paints is P3 Sanguine Base, a deep purplish crimson color. So I'm using that to create more dynamic shadows. On the lighter side, some P3 Ryn Flesh is providing the other end of the contrast range.

Here's the Stormblade Officer as I'm in the middle of working on him. The blends are nowhere near ready, but the high contrast is starting to come out. To me, it makes him look like there's more...I dunno, like there's more "there" there. What was actually a pretty boring sculpt has a degree of interest now.

WIP: Pathfinder Goblins

This guy was painted up quickly along with three other goblin warriors for a Pathfinder campaign I GM. I decided to spruce them up and sell them. Work so far includes creating gradients in the sword blades, giving them eyes that actually shine, and adding a lot of Reaper Nightshade Purple for shadow. Next steps are flesh highlights on the leather, P3 Cryx Bane Highlight on the goblin skin, and some P3 Jack Bone on the, er, bones.

Viktor Pendrake, Scholar Adventurer

This is one I did last summer for a pal o' mine who teaches at Cal Poly. He's a mega-nerd like me, and even more so when it comes to comics. In fact, we're going to the San Diego Comic Con this year. 

Anyhoo, I wanted something that looked like a scholar conquering ignorance (here represented by the troll head) with an array of awesome literature at hand. "Awesome literature" here means:

• A big leather tome version of Lord of the Rings (in back)
• A collection of Thor comics (the green book with a hammer on the front cover)
• A fusty old MLA Handbook (red book)
• An illuminated abecedary of comic heroes, open to "B is for Batman" (thus the symbol on the facing page)

These pics were taken with an Iphone, so they ain't great. That said, the fig was close to finished, so I wanted to snap some photos. Enjoy.

On the Painting Table: The Skinsaw Man

This is very much WIP, but I wanted to at least put a stake in the ground that I have something I'm working on. The guy's coat is a deep purple, but I wanted A) to create the look of dramatic, ghoulish green underlighting (to be emanating from some mold on its base), and to B) have the coat one of those almost iridescent silk affairs. Consequently, I used a few shades of green to provide the underlighting and the shadows (which are on top). It's been an interesting exercise in using a color wheel.

Priming, at least

God it's been a death march lately, what with work and family crises converging. The unfortunate reality is that my painting time has been eaten up. My work lately comes down to prepping my Arcane Tempest Gun Mages (the old ones, not the resculpts being released shortly), and boy do they need a lot of TLC. Them's some old molds, people. Pitted castings need filling, and even then the sculpts themselves are goofy. At least there's the Dude, and the Gun Mage Captain Adept. I have the latter, and in fact primed him just this evening.

And with the GMCA I also primed the Thunderhead, my converted Defender, and a villain for my upcoming encounter in The Skinsaw Murders. I'm GMing a campaign in Pathfinder, using their first standalone Adventure Path, Rise of the Runelords. Pretty cool!

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On a sidenote, allow me to say that I simply adore Dupli-Color Sandable Auto Primer. In the pics I used White on the Thunderhead (hey, it's electric, not coal-powered), and Gray on the Defender. The nozzle on those paint cans allows for great control over the flow, it creates a fine dispersion in a vertical band, and it dries nice and neat. Although you can touch it nearly immediately, it's still a good idea to wait a full day (or at least overnight) to paint it. Sometimes I shorten the wait time by using a hair dryer to speed up the cure time. Laszlo Jakusovsky (of the Hot Lead DVDs) holds that hair drying a just-primed mini actually makes the primer harder and more durable.

Sideways progress

Prepping the Thunderhead. Yes, I know it's a long time before I'll be ready to use the Thunderhead in actual play, but it's such a cool model that I want to paint it now.

Or maybe I just have a fear thing about finishing models, and like to spend my time prepping them instead. I mean, Stryker's been almost done for six months. The Lancer is about as close, and the Charger might need another two day's work at most. All the Ironclad needs is a quick light drybrush on the grass and a couple of arc markers.  I could have a Battlebox ready to use!

Except something holds me back. What?

Maybe it's some variation of the fear of commitment. If I call a model finished, then it's open season for others to criticize its flaws and rate me as a painter.

Or maybe it's that I'm restless in my planning, and I keep coming up with cool things I could do that would make it even better: all of which notably delay the finish date on the models.

Or maybe it's that I'm not fully satisfied with any aspect of what I've done, and I keep asking myself, "couldn't you have done that better? How might you improve it, now?".

Whatever the fear, rather than push through it I keep moving laterally, bringing multiple other models up to the same state of hand-wringing, almost-finished quality.

Like those damn Stormblades.